Short films are often both the most frustrating and most rewarding part of the Every Oscar Ever project. Locating short films that are more than a few years old is beyond difficult, with prints often existing only in a few libraries, and sometimes not existing at all. I have even spoken to a few filmmakers who no longer have copies of their own short films from the past. These short films are often highly enjoyable, well-crafted films that manage to pack as much quality into one or two reels as their feature-length cousins do in a much longer running time.
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As is typical of the "Crime Does Not Pay" series, the bad guys are bad and the good guys are good and no one is in between, and the purpose of the film seems to be little more than to moralize about the ills of crime. The film isn't particularly entertaining or clever, though Barry Nelson turns in a solid performance. The best short films tell a story that is compact enough to be told in a shorter length of time, while lesser shorts tell a story that isn't fleshed out enough to fill a feature length running time. "The Luckiest Guy in the World" is an instance of the latter, and as a result is a forgettable short.
Remaining: 3165 films, 880 Oscars, 5448 nominations
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